Tag Archives: picture books

Seuss and serendipity…

Today is Dr. Seuss’ birthday. It is amazing and astonishing that any of us, Theodore Geisel included, gets born when we do, into the circumstances that we do. We are the creative product of a clash of chaotic coincidences – ancestors re-locating, parents meeting, all the whos and wheres of who we turn out to be multiplied by all the serendipitous connections that influence what we do and who we do it with – all those many turning point moments, big, small, recognized or overlooked.

Anita Silvey, in her brilliant Children’s Book-a-Day Almanac reminds that those turning points may be just around the corner, ready to help us be who we are and share what we do. She retells the story of how Dr. Seuss’ children’s book career was launched, after 2 dozen or more rejections of his first manuscript, by a chance meeting with a friend. He was walking along Madison Avenue, disheartened, with a fresh rejection in hand, ready to go home and burn the manuscript and give up writing for children when he encountered unexpected encouragement and opportunity: http://childrensbookalmanac.com/2011/03/and-to-think-that-i-saw-it-on-mulberry-street/ (and more, from a Springfield perspective, at http://featurewriter1.tripod.com/seuss.html)

Like so many millions of others, I am so grateful that moment happened that led to And to Think That I Saw it On Mulberry Street. That moment gave me so much – it gave me my big sister reading One Fish, Two Fish, Red Fish, Blue Fish to me so memorably that for one of her recent birthdays (she’s now in her 50′s), I gave her a copy of the book translated into Yiddish http://site.booksite.com/4382/showdetail/?isbn=9780972693936 , in tribute to two different, but compatible streams of our shared cultural heritage. It gave me the life-long charm of exchanging Horton Hears a Who quotations with my mom – and it is only as I’ve gotten older that I’ve realized how deeply we share the humanitarian view that “a person’s a person no matter how small” or hurt or troubled or persecuted or denied freedoms or opportunities (it’s probably what made me want to join PEN www.pen.org). Some of my long-term fondness for medieval-ish design, for silly-sounding and invented words, for storms in stories and for the triumph of the intelligent underdog comes straight from Bartholomew and the Oobleck and The King’s Stilts. My idea of a great party comes from If I Ran the Circus. My politics owes more than a little to Yertle the Turtle. And I still write in rhyme whenever I can.

Happy Birthday, Dr. Seuss! And thank you to Mike McClintock, Seuss’ old classmate and new editor who took a smiling chance on the Mulberry Street manuscript. 20th century children’s literature would not be the same without that friendship and creative courage.

to give everybody enough…

Maurice Sendaks illustration for Ruth Krauss text from A HOLE IS TO DIG

I’ve been training for this since kindergarten. Maybe earlier. By this, I mean writing fun and deep and delicious stuff. Those early influences run deep. Winnie-the-Pooh and a smackerel of something, Alice and the “drink me” bottle, Paddington’s elevenses.

I just got an email from my mother, mentioning that my sister’s vacation time doesn’t quite cover all the family celebrations she might want to travel to, and adding “unlike mashed potatoes”. Now, my mother will turn 75 this year, so it’s been a while since she had little kids and regularly read (some of the best ever) picture books. But that was a Ruth Krauss reference (some days, I feel like I want to be Ruth Krauss when I grow up)!

Over 40 years ago, we read A HOLE IS TO DIG: A FIRST BOOK OF FIRST DEFINITIONS together (it was first published in 1952; I wasn’t in the first generation to be charmed by it, and I hope there will never be a last – get it or any of her gems for yourself or a little or big person you like – “Arms are to hug with” is worth the price of admission alone: http://www.indiebound.org/book/9780060234058) and learned, from the delightfully understated to-the-heart-of-the-moment poetic picture book author that “mashed potatoes are to give everybody enough”. And we never forgot it (maybe especially me — there is a particular salience for me in food scenes!)

And now, one of the things I try to do, in whatever type of writing or other creating, is to hit that very pure note of delight that Ruth Krauss created in me when I opened the book and saw, on the first page, Maurice Sendak’s festive drawing of a tower of steamy mashed potatoes surrounded by happy hungry kids, and read her words. Ideas and images, imagination and reality, possibility and people and…potatoes as economic philosophy:

Mashed potatoes (and all good things, in my interpretation) are to give everybody enough.